
1 chapter • 3 scenes
In 1889 Yokohama, a Japanese photographer discovers the spirits in his glass plate photographs are warnings from the future. When he captures a Meiji official's assassination before it happens, he must choose between altering history to save a life or preserving the timeline that allows his own existence.





A traditional garden behind a Western-style mansion in Tokyo, where carefully raked gravel surrounds ancient stone lanterns and a single maple tree. The garden overlooks a koi pond where reflections shimmer like the ghostly images in Kenjiro's photographs.

Gas lamps flicker along paved streets lined with Western-style buildings, their shadows stretching across horse-drawn carriages and foreign merchants in frock coats. The harbor glitters with steamships from distant ports, and mixed-race couples walk arm in arm beneath signs written in both Japanese and English.

A small wooden studio in Yokohama's foreign settlement, its windows permanently shuttered against the sun. The darkroom smells of silver nitrate and vinegar, glass plates line the walls like captured moments, and a single red safety lamp casts long shadows across workbenches cluttered with bottles and trays.
Kenjiro discovers his photographs show the future, foresees Minister Okubo's assassination, and must choose whether to alter history or preserve the timeline that allows his own existence.
Kenjiro discovers his late wife Hoshiko appearing in his photographs as a messenger from the future, captures Minister Okubo's assassination before it happens, and must choose whether to alter history or preserve the timeline that allows his own existence.
Kenjiro develops a glass plate portrait and discovers his deceased wife Hoshiko appearing not as a memory but as a messenger pointing toward an unknown future.

Eiko brings news that Minister Okubo is coming for a portrait, and after Kenjiro photographs him, he discovers the image shows Okubo's assassination before it happens.

Kenjiro travels to Tokyo and confronts Okubo with the photograph, and the Minister accepts his fate with resolve, teaching Kenjiro that some futures must remain unaltered.
